With what greediness are the miraculous accounts of travellers received, their descriptions of sea and land monsters, their relations of wonderful adventures, strange men, and uncouth manners?
David Hume, On Miracles
Pharotekton. It’s here, like a long-awaited message in a bottle. Embassytown.
Like all Miéville’s fiction, Embassytown is filled with ideas that are so mind-bending that they’re literally, for me, anyway, unforgettable. I tend to think of them as “things that make you go, whoa.” Armada, from The Scar, is one – an ocean-going state made up of conjoined ships. Say what you like about literary fiction, it is inevitably the creations of “genre” writers that have this effect on me, as though the initial reading of the text is just the beginning of an ongoing dialogue.
I am a huge admirer of American writer Richard Ford (you know you’re a fan when you drive a Suzuki Rascal, that glorified cracker tin on wheels, alone on unfamiliar roads through fog to hear an author read, in Swindon). But I can’t, in all honesty, say that I find myself, after the fact, pondering bits of The Sportswriter or Independence Day, although they are beautiful works in some of the finest prose I’ve ever encountered.
No, my daydreams are of Armada, cactacae and living buildings. In Embassytown, Miéville gives us new constructs to ponder. The most important is Language, speech produced by two alien mouths at once, consisting of similes. The outcome of the story hinges on a cultural shift in language and thought, and Miéville creates from this, seemingly against the odds, an ending that is gripping, poignant and convincing.
It’s not just the ideas, but the words, that linger and resonate. Inspired word combinations and neologisms are one of the great pleasures of reading Miéville. There are echoes of Dambudzo Marechera, the Zimbabwean writer Miéville spoke about in a Guardian Books podcast. Marechera, in Mindblast, writes:
“grapewrath moon”
“timewhite voice”
Miéville gives the narrator of Embassytown, Avice Benner Cho, neologisms that deftly, unobtrusively elucidate the futureworld Miéville has built on Arieka, words like “shiftparents”, “biorigged” and “artminds”.
The similes that make up Language, without which the Ariekene Hosts cannot speak or comprehend, are also evocative:
“it’s like the stone that was split and put together again”
If, at this point, you wonder whether the rarefied air of linguistic theory is far removed from our contemporary situation, fear not. I read much of Embassytown during the several days in which the Obama White House struggled to define, to speak, what they had just done in Abbottabad. To put it in Ariekene terms (which I couldn’t help doing):
“we’re like the country that brought the criminal to justice”
No, wait.
“we’re like the country that shot the armed criminal who used the woman as a human shield”
Try it again.
“we’re like the country that shot the unarmed criminal because it decided to”
Miéville, by setting Embassytown in the far future, has a bit of fun deciding which cultural commentators will still be read and mentioned by Avice – among these, tellingly, is George Lakoff.
There is also humour in Embassytown. Miéville affectionately pokes fun at academic conferences in the scene where Avice meets her third husband Scile. One of the funniest lines in the book will definitely live on in our house – I knew this the minute I read it. EzRa is trying to find out what’s the matter with the Hosts, who are behaving strangely:
“Has something happened to make you suboptimal?”
Embassytown is a cracking story that clearly works on multiple levels. The imperial power that maintains Arieka as a colony is named Bremen, like the one-time Hanseatic League mercantile power. The original Bremen at one point changed their calendar. One of the Ambassadors is named BenTham. I can’t but see the unhinged behaviour of the Host addicts as a wry comment on fans, desperate for the next fix, yet polite:
“Is there a possibility that ChiNa might speak again about the Remade?”
There is much more to investigate here. I can only urge you to read Embassytown and find out for yourself what it’s like.